Wayfinding, mark making, and seasonal changes thread a parallel course through much of my monotype work. An early Backroads of the Blue Ridge map is a constant inspiration as are my memories of the fear and exhilaration of being lost on mountain roads. This is a landscape that connects me with the past, with fragments of memory, and stories of those who lived long ago.
The marks and tracks of animals, nests and tunnels, wind patterns, seasons, and weather are distinctive ways of considering the landscape and capturing a moment in time. Years ago, following a storm, I collected the remains of a downed pine tree whose branches were beautifully etched by bark beetles. I cast latex skins. made rubbings, and clay impressions from these marks. In 2013, a colleague taught me to make printing plates from gelatin, and I knew immediately that this surface would allow me to capture those marks as well as many other wonders from nature.

Weather Report, 21" x 17", mixed media (gelatin print monotype, colored pencil, birch bark), 2022

Weather Report 2, 21" x 17", mixed media (gelatin print monotype, colored pencil, birch bark), 2022

Tennessee Time, 20" x 16", monotype on Kitakata paper, 2021 Currently available for sale through Sawtooth School for Visual Art, Winston-Salem, NC

Road to Nowhere, 20" x 16", monotype on Kitakata paper, 2021 Currently available for sale through Sawtooth School for Visual Art, Winston-Salem, NC

As the Crow Flies, 20" x 16", monotype and collage on Kitakata paper, 2021

What Lies Beneath, 20" x 16", monotype on Kitakata paper, 2021

Installation view, Southeastern Center for Contemporary Art, 2021

Dreamer, 28" x 25.5", reduction woodblock prints, stitching, antique ticking, wood, 2020

Tracking, 20" x 16", gelatin print monotype, collage, 2020
Opening, monotype on handmade gelatin plate, 12" x 17", 2017
Marking Time: Chance and Intent, 12" x 17". For this series of works, I assigned a letter to several pine branches marked with the trails of bark beetles. I then printed color overlays on a hand-made gelatin plate, using mulberry paper, 2017

Marking Time: Chance and Intent, 12" x 17". For this series of works, I assigned a letter to several pine branches marked with the trails of bark beetles. I then printed color overlays on a hand-made gelatin plate, using mulberry paper, 2017

Marking Time: Chance and Intent, 12" x 17". For this series of works, I assigned a letter to several pine branches marked with the trails of bark beetles. I then printed color overlays on a hand-made gelatin plate, using mulberry paper, 2017

Nocturne 1-6, 14.5" x 11" framed, Gelatin monotypes on Rives paper, graphite, map pins, from Pure Space Gallery exhibition, 2023.

Yardwork Scroll, 2024

Meander diptych, 2024

Meander diptych, 2024

Meander, gelatin print on Rives paper, 20” x 24” unframed, 2024